/Tuesday Ten /572 /Ooh Stick You!
The final /Tuesday Ten of 2024 is a subject that turned out to have a lot of legs. Insults.
The final /Tuesday Ten of 2024 is a subject that turned out to have a lot of legs. Insults.
I turned forty-six last month, so I’m likely now in the right place for a midlife crisis.
Maybe I put this one off after asking for suggestions in January because it wasn’t the right time. Maybe, I just knew that there would be a time and a place for it.
Back to regular /Tuesday Ten postings, then, and this week I’ve moved on to something of an emotional subject: to care or not to care.
Digging back into my “to-do list” of /Tuesday Ten posts (I still have quite a few of those) was the order of the day again this week, mainly as I didn’t really want to continue with yet more lockdown-themed posts (unless I can come up with another one worthy of the time spent on it). […]
This week concludes a short series on Winning and Losing – a subject that’s been sat on the backburner here at /amodelofcontrol.com for over three years (I originally asked for suggestions on the subject back in January 2017). /Tuesday Ten/423/Everyone Must Win /Tuesday Ten/Playlists /Playlists/Spotify /Playlists/YouTube /Tuesday Ten/Winning and Losing /282/Poker Face /421/Follow the Leader […]
Continuing the process of wrapping up the last decade before it disappears too far into the rearview mirror, this is the fifth part of the best tracks of the 2010s. This has been an interesting, and memory-laden trip doing this list. I’ve dredged up a few memories, reconnected with a few songs I’d not heard […]
There is, perhaps understandably, a desire for many to take things easy right now. Aside from work, what else is there to do? We can’t really go out and socialise, go for a drink, go to a gig, go to the cinema, and so on, so evenings have become pretty sedentary.
The mundane doesn’t have to be uninteresting – or indeed fun. Sometimes the smallest things can spark a joyous reaction (yes, even decluttering, apparently), and it might be a minor event in the midst of a humdrum day, but that one event might keep you going through the rest of it.
Another Friday, another round-up. As always this is a look at upcoming releases, relevant music news and upcoming events and gigs worth spending some of your time at. It is by no means an exhaustive list, and I’m always on the lookout for more to include.
There is a good reason why it has taken 347 editions of my Tuesday Ten series to get ’round to doing my favourite opening tracks – mainly because I didn’t want to come across all Rob Gordon and Barry Judd in High Fidelity.
The influence of classical music upon “popular” music is often forgotten, perhaps as the evolution through what became jazz and blues into rock and beyond is a complex one that took quite some time – indeed it took most of the twentieth century, as the exceptional The Rest is Noise by Alex Ross explains in […]
The instrumental is often a rather maligned part of an artist’s repertoire. There was some discussion of what counts as an instrumental. Wiki suggested:
We’re edging toward the halfway point of 2017, and this week I’m taking a fifth look back at 1997.
In another of those instances of “how have I not written about this before”, welcome to this week’s Tuesday Ten.
Week two of the amodelofcontrol.com review of 2015, and it’s onto the Best Tracks.
There has been lots written in recent years about how band merchandise – particularly on-tour – is better for some bands that selling records. Not that it’s a new thing – it’s long been reckoned that Pop Will Eat Itself and Ned’s Atomic Dustbin in particular sold far more in T-shirts than they ever did […]
Another tough month, balanced out by a number of good moments that all-in reduced the amount of time I had to write about music. I’ve consumed more than enough (and been sent a fair bit, too), mind, and the result was this weeks Tracks of the Month, where I actually had far more than ten […]
The start of a new year, so it is time for my usual round-up of music coming our way soon (here is last years). Sources are, as usual, a selection of direct band and label sources and press reports, and are believed correct at the time of writing.
I actually started this 80s rundown a couple of years back, but life and other things have rather got in the way. So, a little bit of spare time has allowed me to get this finished. Without further ado, then, let’s get on with it.