All it took was arriving in Bradford on Friday, and I knew that I still loved this festival. There was that familiar buzz of anticipation as we stepped off the platform, looking forward to the fun to come, however this year was tinged of course with a bittersweet sadness over what was going to be […]
By necessity a shorter post this week, as I’m writing this from the train journey north to Infest in Bradford. Needless to say amodelofcontrol.com will be reporting from the festival with a full review and photos after the weekend, but there may also be other coverage as we go on, on Facebook, Twitter (@amodelofcontrol) and […]
The influence of classical music upon “popular” music is often forgotten, perhaps as the evolution through what became jazz and blues into rock and beyond is a complex one that took quite some time – indeed it took most of the twentieth century, as the exceptional The Rest is Noise by Alex Ross explains in […]
Perhaps this title is a little unfair. But in recent times, British industrial acts have, rather like European acts to a point, played second fiddle to a burst of creativity and style from North American acts, who seem to be dominating stages and DJ sets everywhere. As is often the way, these things happen in […]
Welcome to the third weekly round-up of new music, forthcoming release announcements, upcoming gigs and clubs, and other things that might be worthy of note within the realm of music that amodelofcontrol.com covers.
This week all came about thanks to listening to Steve Lamacq on 6Music the Friday before last, where he ended up playing Eat The Rich by Motörhead, and perhaps for the first time, I actually paid attention to the lyrics. “You wanna see my bacon torpedo!” was the one that had me raising my eyebrows, […]
Thirty-three years, twenty albums, countless singles, a few live albums, various re-issues. Various record labels (most notably associated with WaxTrax! and then later Metropolis (North America) and Dependent (Europe)). And, broadly, one instantly recognisable sound, the Ultra Heavy Beat that blusters in on industrial beats and rock guitars, but somehow sounds like no-one else.
Here we are with week two of my musical round-up. As I explained last week, this will be a weekly post on a Friday that will wrap up relevant new releases that week, newly announced releases coming in the near future, newly announced gigs of note, and also upcoming gigs/clubs over the next few weeks […]
The instrumental is often a rather maligned part of an artist’s repertoire. There was some discussion of what counts as an instrumental. Wiki suggested:
The third party I’ve DJed this year, and what has been remarkable about them has been that all three have been very different. Different locations, different people, and different music, too. The DJs here (Bob and myself – only my sets are shown here for the moment), were actually a surprise element to Tim’s birthday […]
There have been a few comments recently about how difficult it is to keep up with new releases, new tours, and general music news (I have the same problem) – particularly in the UK, as various sites in Europe and North America are already pretty good for this in our scene. (Release Magazine in Europe, […]
It isn’t often that I get the chance to interview someone who can justifiably be called an industrial legend. That said, there aren’t many bands in any genre, never mind industrial, that are like Paul Lemos’ band Controlled Bleeding.
Already back ’round to a new month, and we’re hurtling through summer. First Tuesday of the new month, then, so time for the best tracks, and there are a lot of them this time around. Why? The autumn release schedule is, it seems, rather crowded this year.