But Listen: 027: Coreline – Please Keep Moving Forward
Little snippets and teaser EPs had slowly but surely got the interest rolling in Chris McCall’s Coreline project, and the release of PKMF really should push this even further.
I’ve been writing album/EP reviews for what seems like forever, but actually goes back to 1996, on my days writing for ROAR. This archive, like others, goes back as far as 2003. I don’t write as many album reviews as I used to, but they still get posted from time-to-time.
The title of this section comes from a track on The Afghan Whigs’ first album Big Top Halloween.
Little snippets and teaser EPs had slowly but surely got the interest rolling in Chris McCall’s Coreline project, and the release of PKMF really should push this even further.
It’s been a tough few years being an FLA fan. Every release in, oh, the past five years has been touted as “the best one since…[insert your favourite FLA album here – me? I’ll lay my cards on the table now and say Tactical Neural Implant]”, when they patently haven’t. Epitaph was well, ok, but […]
A local grindcore band, so let’s be honest – I wasn’t expecting a long CD. I got, in fact, six minutes and 23 seconds spread over four tracks. Which is pretty long, really.
“Noise” in the industrial sense is a very broad church – and perhaps a definition that is nowadays overused. It nowadays seems to me that it is used as a lazy definition for anything remotely “difficult” that can’t really be pigeonholed anywhere else, and thus notionally similar artists are often anything but.
I wasn’t going to review this, initially. As it is, it’s an unmastered demo, clearly unfinished. However, the band decided to give out a number of copies of this at a recent gig, and after just one listen the review started to formulate. So here we are.
They’re back, and still evolving. Moving further along from the more darkwave feel of Holy, this “EP” (10 tracks, over 50 minutes!) is a taster for the forthcoming album Exile Paradise. And what a taste. The sound of this is fresher, more alive than before, and perhaps more straightforward sounding. The one criticism, perhaps, in […]
Right, I’ll own up now. I’ve never been a fan of concept albums. Although the album is loosely based around a story, it has many parallels in our current time. And with the recent releases of films about dark future worlds (Aeon Flux and V for Vendetta, of course…), it perhaps could not arrive at […]
I got this compilation sent to me by the guys from Cyanotic – it is a sampler, effectively, for their label Glitch Mode Recordings, 16 tracks of industrial, drum’n’bass and electro. Many of the tracks are mixed in together, but not in a way that hinders using them for DJing, and the variety on here […]
The noisier end of the Industrial scene seems to have taken two different routes of late. Either to head further and further into the avant-garde, or to head straight back to the dancefloor in an avalanche of beats and samples to give those who like their industrial rather heavier than EBM something to dance to. […]
Another of my friends providing the industrial goods right now is this, part of the Infekted Sound stable.
So yes, they’re back, and unlike some of their peers it has been worth the wait. RN is another anthemic dancefloor tune, made even catchier by the use of vocoders.
This act – the work of Chris McCall – one of many of friends of mine that are really delivering the goods of late with some top-quality industrial music. This new EP is frankly fucking fantastic – track of note being the quite sublime title track Organized Sound.
And there was me thinking the US-industrial that I know and love was only to be a relic from the past in future.
Anytime I get given a [demo] CD with a “produced by [famous name]” I’m gonna at least take a look. As in this case, with “Produced by Gregor Mackintosh [Paradise Lost]” on the front. Granted, I had seen them live first. The famous connection will certainly do them no harm. Musicwise, they do bear some […]
I viewed Gothminister with something of suspicion first time around. Surely it was all tongue-in-cheek, right? The more I listened, the less it seemed to be. But then, with an album called Gothic Electronic Anthems – and to actually have an album stuffed full of them – made such points moot.
It’s been a while coming, this album. And it has certainly been worth the wait. After being voted “Best Unsigned Band” for 2004 by the readers of Terrorizer, they have been snapped up pretty quickly by Anticulture Records. Gone is the slightly flat and muddy sound of much of the earlier tracks, this album screams […]
I’ve always had something of a love-hate relationship with the idea of the side-project. Sometimes they are just a lazy attempt to get more attention to the “parent” band (it is not normally difficult to tell this: often any mention of the “new” band will show “x from y’s new project”, or something like), but […]
So yes, we have been trailing it for ages. Yes, I have played various versions of some of the tracks over the past few months. But listening to the album as a whole, it has some kind of visceral thrill to it. The big thing to note to start with, is how the band has […]
Army of Me (a cover of the old Bjork single, of course) is looking unlikely to be released officially at present, which would be a shame – seeing as it is an interesting introduction to the band if you have not heard them before.
The first truly new Converter album for a couple of years, this really is something else. It certainly isn’t a straight progression from Blast Furnace, but then it isn’t a total revolution either. With a few exceptions, everything has been slowed down to amazing effect, drawing you into 70 or so minutes of what can […]