My top ten albums of 2006.
/2020/I LIKE TRAINS/KOMPROMAT
/2019/Boy Harsher/Careful
/2018/Promenade Cinema/Living Ghosts
/2017/Seeming/SOL
/2016/KANGA/KANGA
/2015/Dead When I Found Her/All The Way Down
/2014/3 TEETH/3 TEETH
/2013/Front Line Assembly/Echogenetic
/2011/This Morn’ Omina/L’Unification Des Forces Opposantes
/2010/Edge of Dawn/Anything That Gets You Through The Night
/2009/Alice In Chains/Black Gives Way To Blue
/2008/Aesthetic Perfection/A Violent Emotion
/2007/Battles/Mirrored
/2006/In Strict Confidence/Exile Paradise
/2005/Cyanotic/Transhuman
/2004/Rotersand/Truth Is Fanatic
While I still try and keep the broad focus of the music covered here to the wider sphere of industrial music, I also listen to other music – this year perhaps more than ever – and thus the spread here is perhaps a bit wider than you might otherwise expect. You know what, though? Try some of this music. Especially the stuff you don’t recognise or don’t know. Go for it – I love hearing new music that someone else has enthused about, trying to understand what’s so awesome about it. Sometimes it is obvious, sometimes it will take days or weeks to click, and hopefully, something here will do that to you.
Time to cue the music. You can listen along on Spotify or Youtube. Links to the right.
[Note: this has been tidied up a bit since the original posting, but the broad idea is still the same, and I’ve not amended the order or opinions!]
/Front Line Assembly
/Artificial Soldier
/Metropolis Records
They’ve been promising another classic album for a few years now, and every time has been a frustrating let-down – until now. An intense, relentless album that at points hits some of the highest heights of their career.
/My Dying Bride
/A Line of Deathless Kings
/Peaceville Records
Something of a triumphant return for one of the most unique metal bands – MDB’s peerless romantic doom metal is as glorious as ever. How many other bands could make a song about drowning (Deeper Down) sound so alluring?
/Terretron
/Wither
/The Pandemic
An unexpected throwback to mid-nineties US industrial, but married with much more up-to-date hardware. Entirely unexpected, and really rather rewarding.
/Laibach
/Volk
/Mute Records
A contender for one of the oddest releases of the year, never mind the best, but then, do we really expect much else from Laibach? Their take on various national anthems, and it really does work rather well. Rather more subdued than might be expected, it takes a few listens to get under your skin but persevere and it is well worth the wait.
/Modulate
/Dystopia
/self-released
Quite possibly the only “demo” I have ever included in my best-of-the-year roundups, but it fully deserves its place here. Dancefloor-orientated industrial of the highest order, with clever blurring of genres across the eleven tracks, and with a bona fide dancefloor smash in Skullfuck. Hopefully, 2007 will result in a proper release in one form or another to allow to it reach the audience it deserves.
/Seabound
/Double-Crosser
/Dependent
Seabound have not made a bad album yet, but in heading in a slightly different direction than before they have provided an entire album based around the idea of betrayal – and the whole thing simply bristles with wonderfully understated rage.
Key tracks: Scorch The Ground, Castaway
/Rabbit Junk
/REframe
/Glitch Mode Recordings
A schizophrenic trip through the mind of one man – and it is kinda amazing he can ever sit still, judging on this. There is just about everything here – industrial, metal, punk, dub, noise…and a handy line in twisted and fucked up pop songs. Technicolour genius.
Key tracks: In Your Head No One Can Hear You Scream, The Big Push
/Imperative Reaction
/As We Fall
/Metropolis Records
This band finally deliver a great album, taking in influences from right across the industrial spectrum. There are undisputed highlights here, but the whole album stands head and shoulders above all their previous output.
Key tracks: Collapse, Hang From Your Own Rope
/ESA
/Devotion, Discipline and Denial
/Hive Records
It’s a noise album, but not as we know it. Showing a depth rarely seen in this genre, this is a multi-faceted rollercoaster ride that slowly sucks you in before leaving you breathless at the other side. It even manages to be based around a concept and actually work…
Key tracks: We All Know The World Is Wrong, CutSlut
/In Strict Confidence
/Exile Paradise
/Minuswelt Musikfabrik
ISC continue their rise towards another plane entirely, with an extraordinary album that manages to combine darkwave-electronics, ambient soundscapes and dancefloor EBM into a seamless whole, as always with an all-encompassing theme that takes in the lyrics, music, packaging and image. No other electronic band comes close in almost any way – this truly is a band at the very peak of their powers.
Key tracks: all of it.
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